In India, 1942, Aisha takes refuge in a village, where Hasan, an Indian independence activist, offers her food and shelter.
Aisha leaves it with Sana and attempts to flee to the new nation of Pakistan with her family during the partition of India but Najma finds and stabs her.
Returning to the present, she finds that Najma's strike had opened the Veil of the Noor dimension, which separates it from Earth, but it vaporizes anyone who interacts with it.
[4] Executive producers include Marvel Studios' Kevin Feige, Louis D'Esposito, Victoria Alonso, and Brad Winderbaum, in addition to Kamala Khan co-creator Sana Amanat, lead directors Adil El Arbi and Bilall Fallah, and head writer Bisha K.
[6] Ali revealed that more material regarding the Clandestines, Noor dimension, and the Red Daggers had been created that was unable to be included in the series because of the COVID-19 pandemic and other time constraints.
Natasha Gerasimova, production designer for the reshoots, noted that sets had to be built in Atlanta to match material shot in Thailand, which was "incredibly challenging".
[16] Visual effects for the episode were created by FuseFX, Digital Domain, Base FX, Folks VFX, OD Studios, Instinctual, RISE, Cantina Creative, and SSVFX.
It was lightning in a bottle, not only having to come up with quick ideas based on what was happening in the room, but also what people threw back at me.
[27] Whip Media, which tracks viewership data for the more than 21 million worldwide users of its TV Time app, calculated that Ms. Marvel was the fifth most-streamed original series for the week ending July 10, 2022.
The site's critical consensus reads, "'Time and Again' is charged with filling narrative gaps as efficiently as possible and largely succeeds, entertainingly relaying exposition without halting Ms. Marvel's momentum.
[31] Emma Fraser, writing for IGN, gave the episode a 7 out of 10, highlighting the "interactions between the different generations of Kamala's family", adding, "the scenes between mothers and daughters pack an emotional punch".
[32] Karpman was nominated for Outstanding Music Composition For A Limited Or Anthology Series, Movie Or Special (Original Dramatic Score) at the 75th Primetime Creative Arts Emmy Awards for her work on the episode.