Tipper is widely respected as a surround sound composer, releasing one of the first albums composed, produced, and intended for the DualDisc format, in addition to providing content for multichannel music industry leaders DTS, Inc. His talents at sound design (his work is included in several of the major music making software programs[4]), and in digital audio mastering, are also in great demand.
Their earliest conversations centred on bass frequencies and rhythms underlying beats, and they began researching the science involved in creating the most effective dance music.
[citation needed] In the late 1990s, Tipper completed numerous remix projects of his Higher Ground label mates, and released several singles, each highlighting his penchant for electronic dance music with extreme bass frequencies and intricate polyrhythms; this sound helped usher in a popular new music genre referred to as Nu skool breaks, and Tipper is recognised as one of the pioneering producers of this movement.
Tipper's vision was decidedly more artistic than anticipated, confusing the label as to how to promote it, and disappointing sales led to an amicable parting of ways with Sony.
This consisted of 2 identical black 1970s Dodge Challengers, both fitted with 6 x18" subwoofers (replacing where the back seats had previously been) and a Funktion-One mid/tops speaker unit, that could be raised out of the trunk on hydraulics with the flick of a switch from the driver's dashboard.
One of the urban myths surrounding these appearances recounts the incident at the 1997 V Festival, when Richie Warren received complaints from The Prodigy's stage manager, because the band couldn't hear itself due to the excess volume.
Many of the individual tracks from this album found their way into DJ boxes internationally, and accordingly Tipper began touring extensively through Europe, the United States and Australia.
Regarded as one of the foremost composers in the multichannel realm, Tipper continues to provide content for a number of companies who use his highly detailed productions to demonstrate their own advanced technologies.
[10] 2005 witnessed the establishment of his own imprint Tippermusic, and he embraced the digital music revolution for the freedom it gave musicians to finally determine their own path.
[11] His 9th studio album, Wobble Factor would be unveiled later in 2008, and solidified Tipper's influence on the burgeoning glitch hop musical movement, especially in the United States.
In further homage to New Orleans culture and musical heritage, the event included legendary local acts such as DJ Cochon de Lait and The Madd Wikkid.
Following the conclusion of the "4567" event, it was announced that Tipper is expected to present an "ambient journey" performance on 20 April at the Arlene Schnitzer Concert Hall in Portland, Oregon.
Following the success of 2016's event, April 2019 lead to the historic "Tipper & Friends - The Full Moon Return" back in Spirit of the Suwannee Music Park in Live Oak, Florida, USA.
In continuing to pay homage to New Orleans culture and musical heritage, the theatre was left with a great impression of the community involved, even going as far engaging with the crowd in the spirit of Tipper during the 3rd and final night, as this event was extremely private with very few in attendance.
In April 2022, Tipper & Friends was again held for another 3 night run, returning to Spirit of the Suwannee Music Park in Live Oak, Florida.
The 3 day event was held from April 1-3rd and featured LTJ Bukem, Mickman, Schmoop, Humandala, Resonant Language, Detox Unit and Entangled Mind (winner of the submission contest) In February 2024, Tipper announced his intention to retire in 2025, stating "I'm very grateful for all the support over the years.