Waldemar Dalenogare Neto evaluated it with a score of 1/10 and said that "whoever sees it, does not believe it: The Asylum managed to overcome itself (...) I already knew it was a bad movie, the trailer is already a disgrace (...) the bad taste when dealing with a tragedy (on the anniversary of the sinking of the Titanic) (...) It's not a horror movie, as much as the title may lead you to this idea, here you actually have a big joke at the cost of extremely poor graphical effects and a completely lost cast.

"[1] In his review in Paste, Matt Donato rated it 4/10 saying that "while Netflix harbors Oscar aspirations for its originals, Tubi appears content being the streaming equivalent of SYFY after midnight.

"[3] On Crooked Marquee,[4] Josh Bell rated it a "C−" saying that "is a slow, dull haunted-ship story that takes far too long to get to its meager terrors.

Lydia Hearst finds the right campy tone as a descendant of one of the original Titanic victims who summons their spirits to curse this shameless exploitation of their memories, and AnnaLynne McCord is fun to watch as a narcissistic influencer who exits the movie too early.

But the ghosts themselves are tame, poorly rendered apparitions, and the valiant, self-sacrificing captain (Keesha Sharp) makes for a weak protagonist as the voyage predictably devolves into chaos.