Unas

Unas /ˈjuːnəs/ or Wenis, also spelled Unis (Ancient Egyptian: wnjs, hellenized form Oenas /ˈiːnəs/ or Onnos; died c. 2345), was a king, the ninth and last ruler of the Fifth Dynasty of Egypt during the Old Kingdom.

The growth and decentralization of the administration in conjunction with the lessening of the king's power continued under Unas, ultimately contributing to the collapse of the Old Kingdom some 200 years later.

The accompanying mortuary complex with its high and valley temples linked by a 750-metre-long (2,460 ft) causeway was lavishly decorated with painted reliefs, whose quality and variety surpass the usual royal iconography.

Manetho, a third-century BC Egyptian priest of the Ptolemaic Kingdom and author of the first history of Egypt, claims that with Unas' death the Fifth Dynasty came to an end.

Unas' name is also present on the Saqqara Tablet (32nd entry)[19] and on the Turin canon (third column, 25th row), both of which were written during the reign of Ramses II (1279–1213 BC).

[18][20] These sources all place Unas as the ninth and final ruler of the Fifth Dynasty, succeeding Djedkare Isesi and preceding Teti on the throne.

It is a 17-centimetre-tall (6.7 in), 13.2-centimetre-wide (5.2 in) globular alabaster vase finely decorated with a falcon with outstretched wings and two uraei, or rearing cobras, holding ankh signs surrounding Unas' cartouche.

As indicated above, historical sources credit him with 30 and 33 years on the throne, figures that have been adopted by many Egyptologists, including Flinders Petrie,[54] William C. Hayes,[55] Darrell Baker,[14] Peter Munro,[56] and Jaromir Malek.

For example, a relief showing pharaoh Sahure in the tunic of the Sed festival has been found in his mortuary temple,[52][59] although both historical sources and archeological evidence agree that he ruled Egypt for less than 14 full years.

Reliefs from the causeway of his pyramid complex show two large seagoing ships coming back from an expedition to the Levantine coast with Syro-Canaanite men, who were either the boat crews or slaves.

[70] Other sources tend to confirm the accuracy of these depictions; for example, the autobiography of Weni relates many punitive raids against Canaanite nomads in the early Sixth Dynasty.

[70][72] To the South of Egypt, inscriptions of Unas on Elephantine record a visit of the king to Lower Nubia, possibly to receive tribute from local chieftains[58] or because of growing unrest in the region.

[33] Until 1996, the domestic situation during Unas' reign was thought to have been disastrous, based on reliefs from the causeway of his pyramid complex showing emaciated people and thus suggesting times of famine.

[5][79] This changed when excavations at Abusir in 1996 yielded similar reliefs in the mortuary complex of Sahure, who reigned at a prosperous time in the early Fifth Dynasty.

[81] Thus, these reliefs are now understood to be standard representations of the generosity of the king towards the destitute and of the hardships of life in the desert regions bordering Egypt[82] rather than referring to actual events.

This might have caused a succession crisis[73] hinted at by the personal name chosen by Teti upon his accession to the throne: "Seheteptawy" meaning "He who reconciles/pacifies the two lands".

[h][51] Furthermore, the idea that Teti could legitimate his claim by marrying into the royal family is rejected by many Egyptologists, including Munro, Dobrev, Baud, Mertz, Pirenne, and Robin, who do not think that the right to the pharaonic throne passed through the female line.

[86] In addition to Manetho's statement, the Turin king list presents a special break point between Unas and his successor Teti.

Although the king list is not organized in dynasties–which were invented by Manetho–the Egyptologist Jaromir Malek explains that "the criterion for such divisions in the Turin Canon invariably was the change of location of the capital and royal residence.

[91] A statistical analysis of clay seal fragments bearing Horus names of pharaohs of the Fifth Dynasty points to a marked decline of the cult of the king during Unas' time on the throne.

[84][95] The German Egyptologist Hartwig Altenmüller writes that for an Egyptian of the time "the [...] afterlife no longer depends on the relationship between the individual mortal and the king, [...] instead it is linked to his ethical position in direct relation to Osiris".

[94][97] In addition, the names of Menkauhor Kaiu and Unas do not incorporate any reference to Ra, in rupture with a tradition which held since the reign of Userkaf, about a century earlier.

These depicted the Egyptian seasons, processions of people from the nomes of Egypt, craftsmen at work, offerings bearers, battle scenes and the transport of granite columns for the construction of the pyramid complex.

[l] In doing so, Unas initiated a tradition that would be followed in the pyramid of the kings and queens of the Sixth to Eighth Dynasties, until the end of the Old Kingdom circa 200 years later.

[108] In total 283 magical spells,[107][m] also known as utterances, were carved and the signs painted blue on the walls of the corridor, antechamber, and burial chamber of Unas' pyramid.

[111] These spells were intended to help the king in overcoming hostile forces and powers in the Underworld and thus join with the sun god Ra, his divine father in the afterlife.

[111][115] The Ba would then leave the burial chamber, which incorporates texts identifying the king with Osiris in the Duat, and would move to the antechamber symbolizing the Akhet.

Included in the spells written on the walls of the antechamber of Unas are two utterances known as the Cannibal Hymn, which portrays the pharaoh as flying to heaven through a stormy sky and eating both gods and men.

[111][n][o] At this point the Ba of Unas would face east, the direction of the sunrise, and beyond the pyramid masonry, the false door of the mortuary temple where funerary rituals were performed.

[130] This activity could explain why the pyramid complex of Unas was the object of restoration works under the impulse of Prince Khaemweset, a son of Ramesses II (1279–1213 BC).

A yellow spherical jar inscribed with a falcon wrapping around the circumference.
Alabaster globular vase of Unas, Louvre [ 23 ]
A seated man in a tight fitting robe, with a false beard and a crown.
Relief of Sahure wearing the tunic of the Sed festival , [ 52 ] similar to the relief depicting Unas' Sed festival from his mortuary complex [ 53 ]
A man standing surrounded by columns of hieroglyphs.
Drawing [ 54 ] of the rock inscription of Unas on Elephantine [ e ]
Prostrated people, their ribs showing, look wearily to the ground.
Relief showing starving nomads from Unas' causeway at Saqqara
A ruined mass of bricks, sand and rocks resembling an earthen mound
The pyramid of Unas at Saqqara
A paved way of white limestone covered with a roof made of massive stone blocks resting on equally massive walls.
A restored section of the causeway of Unas
A large chamber of stone, its walls entirely covered with thousands of hieroglyphs.
The Pyramid Texts inscribed on the walls of Unas' burial chamber
A small seal in the shape of a scarab inscribed with hieroglyphs spelling the name Unas.
Scarab bearing Unas' name [ 118 ]