[1][2][3] Born into an elite Goan caste of Roman Catholic Brahmins in Portuguese Goa, she settled in Lisbon, Portugal in 1957, later working as a translator, during which she adopted her pen name.
After Goa's incorporation into India laws were passed giving the mundkar workers rights to the lands on which they had always lived and worked and abolishing their duty to provide unpaid labour to the bhatkar landowners.
For Mauro Neves, who echoes the verdict of Portuguese critic João Gaspar de Simões, it is a "symbolist" work "profoundly influenced by Camilo Pessanha".
[5] To some extent Devi's collection could be likened to a Goan version of James Joyce's Dubliners, insofar as the stories contained concern the constrictions placed on the lives of ordinary people located in inescapably provincial settings.
Auden], Matthew Mead (principally Identities), Kingsley Amis (such as A case of samples), Alan Bold, Günter Grass, Blaise Cendrars, Paul Valéry, Cesare Pavese, Robert Creeley and other poets from the New Writing movement in the United States.
Like the telephone and the television that the title invoke, and which instruments helped bring about the world with which the verse engages, Telepoemas relates the sights and sounds, both inner and outer, of man and woman, nature and science as they are distanced and brought together in the routine of the city streets of its age.
The first volume was a ground-breaking historical account of the history and development of Portuguese-language Goan literature, supplementing the bibliographical information contained in the work of Father Filinto Dias.
Featuring poems written in Spanish, Portuguese and Catalan, within the space of Hora (with its subtly trilingual title) the three largest Iberian languages achieve a poetic co-existence and equality that has not always been permitted historically and politically.
Using an even more stripped-down short-story format that concentrates on places and instants extracted from the flow of time and urban experience, the narratives contained in the collection explore the tensions and attitudes that have grown up in the West in the post-war period.
Despite the tensions that run through the stories and which impact so strongly on the characters' existences – for instance those between personal relationships and economic demands—there is always a space for hope and happiness, a profound faith in the potential of humankind.