[4][5] The author describes various tests by which readers may ascertain whether or not their communion with God is genuine, and teaches that the proof of spiritual regeneration is a life of active righteousness.
[8] The epistle is written in a simple style, without syntactical flourishes,[8] and makes frequent use of asyndeton, where related thoughts are placed next to one another without conjunctions.
[7] This is similar to the parallel structure of Hebrew poetry, in which the second verse of a couplet often carries the same meaning as the first, although in this epistle the frequent recapitulations of already expressed ideas serve also to add to what has previously been said.
[10] In summary, the epistle may be said to exhibit a paraenetic style which is "marked by personal appeal, contrasts of right and wrong, true and false, and an occasional rhetorical question".
While this theory, first propounded by Ernst von Dobschütz and Rudolf Bultmann, is not universally accepted, Amos Wilder writes that, "It is at least clear that there are considerable and sometimes continuous elements in the epistle whose style distinguishes them from that of the author both with respect to poetic structure and syntactic usage.
[3] Thus, at the end of the 19th century scholar Ernest DeWitt Burton wrote that there could be "no reasonable doubt" that 1 John and the gospel were written by the same author.
[19][20] "The Fourth Gospel addresses itself to the challenges posed by Judaism and others outside Johannine circles who have rejected the community's vision of Jesus as preexistent Son, sent by the Father."
[21] The author wrote the epistle so that the joy of his audience would "be full" (1:4); that they would "not practice sin" (2:1); that they would not be deceived by false teachers (2:26); and that "you who believe in the name of the Son of God... may continue to know that you have eternal life" (5:13).
The introduction possibly also addresses the issue, especially if the identification of the author as John, or a pseudepigraphic claim to have been a disciple, is assumed: Chapter 1 writes of having evidence of the truth via eyes and touch.
[32] Bibles translated from his edition integrate the passage, including the King James Version (1611), which renders it as follows (in italics): 7For there are three that beare record in heaven, the Father, the Word, and the Holy Ghost: and these three are one.
Because the addition supports the doctrine of trinitarianism, it featured in Protestant and Catholic debates on this subject in the early modern period.
On balance, it is likely that John's first letter was written for the Ephesian church and that the Parthian label results from a misreading or misunderstanding.
[38] "1 John 4:16" is a song title in the album "The Life of the World to Come", inspired by this verse, which was released by the American band The Mountain Goats in 2009.