Battle of Finnsburg

The Battle of Finnsburg (or Finnsburh) was a conflict in the Germanic heroic age between Frisians with a possible Jutish contingent, and a primarily Danish party.

[2] In the story, the young prince Hnæf, described as a Hocing, Half-Dane, and Scylding, was staying as an invited guest of the Frisian king Finn.

It describes a young prince called Hnæf spurring his 60 men into battle, besieged inside a great hall.

Most of the context must instead be derived from the parallel episode in Beowulf, which describes events that take place mainly after the action narrated in the Finnsburg Fragment.

The scop's story of the Freswæle (English: Frisian slaughter) begins with Hildeburh, daughter of Hoc, lamenting the loss of her son and brother.

[7] Both factions involved in the battle are said to have suffered heavy losses, but especially the þegnas (English: thanes or barons) of Finn.

Eventually a figure referred to as the son of Hunlaf places a sword on Hengest's lap to remind him of his loyalties.

The only other source to perhaps allude to the battle is the Skáldskaparmál, where Snorri Sturluson mentions a coat of mail called Finnsleif (English: Finn's legacy).

[14] The names of some of the characters in the Battle of Finnsburg are mentioned in other sources, usually in genealogies such as the reference to Folcwald and Finn in the Historia Brittonum.

[16] Though the identification of Hnæf and Finn being brothers-in-law makes the situation much clearer, it shifts the emphasis of explanation onto the reason behind the subsequent battle.

Such a theory would add an extra layer of complexity, of a feeling of possible responsibility for filicide, to the already complicated psychological motivations of Finn.

But awake now, my warriors!take up your shields, think of valorfight in the vanguard, and be resolute!The siege is described primarily in the Finnsburg Fragment.

With unfeigned zealFinn swore his oaths to HengestSince Finn had lost most of his thanes, he was unable to fight Hengest, and the Beowulf poet says that for this reason they drew up a peace treaty.

Nicola Zocco clarifies that the "Frisians offer to come to terms with the Danes because they need to resolve the situation in a bloodless way, given that they cannot afford a military victory.

The fact that the two sides did not fight to the death may indicate that Finn felt some remorse for the rules of hospitality having been broken against his brother-in-law Hnæf and his men.

[20] Still, Finn may not have been a primary belligerent, only responsible in the capacity of a figurehead; and the picture is made more complex by the role of the eotena (see below).

Though under the treaty the Danes are not to complain about the death of Hnæf, Finn more extremely swears that any Frisian who provokes further violence would be, in the language of the poet, settled with the edge of the sword.

The concessions by Finn may reflect his remorse at the events, or it may have been seen as a suitable weregild for the defenders not avenging the killing of Hnæf.

Olivieri suggests that probably "Hunlaf had died in the fight at the castle — the sword had been used with the Jutes — and his son asked for revenge.

This is usually understood to mean that Hengest had been brooding over whether fealty or oaths were strongest, and that he and the Danes broke the terms of the peace treaty, though Zocco argues otherwise.

Vickrey summarises the morphological evidence for a reading of giants, the numbers referring to Beowulf line numbers: the form eotena, the expected genitive plural of eoten 'giant' (eotena 421, 883), is anomalous as a declensional form of *Eote, *Eotan 'Jutes'; and the form eotenum, along with eotenum 902, the expected dative plural of eoten 'giant,' a disyllabic masculine noun with a short first syllable, is, as a dative plural of *Eote, *Eotan 'Jutes,' without parallel elsewhere in the poem either in weak nouns or i-nouns.

Wealhþeow , who "came forth / in her golden crown" after the Beowulf scop was finished narrating the Finnsburg story in Beowulf. [ 6 ]
Illustration by J. R. Skelton (1908) of the giant Grendel from earlier in Beowulf. See also a list of artistic depictions of Grendel .