Chivalry

It arose in the Carolingian Empire from the idealisation of the cavalryman—involving military bravery, individual training, and service to others—especially in Francia, among horse soldiers in Charlemagne's cavalry.

[8] The French word chevalier originally meant "a man of aristocratic standing, and probably of noble ancestry, who is capable, if called upon, of equipping himself with a war horse and the arms of heavy cavalryman and who has been through certain rituals that make him what he is.

"[9] Therefore, during the Middle Ages, the plural chevalerie (transformed in English into the word "chivalry") originally denoted the body of heavy cavalry upon formation in the field.

[18]: I, 76–77 Sismondi alludes to the fictitious Arthurian romances about the imaginary Court of King Arthur when taken as factual presentations of a historical age of chivalry.

It is always represented as distant from us both in time and place, and whilst the contemporary historians give us a clear, detailed, and complete account of the vices of the court and the great, of the ferocity or corruption of the nobles, and of the servility of the people, we are astonished to find the poets, after a long lapse of time, adorning the very same ages with the most splendid fictions of grace, virtue, and loyalty.

[19] As a modern idea, it was pioneered by the French philosopher/sociologists Pierre Bourdieu and Maurice Merleau-Ponty, even though a precedent exists for the concept as far back as the works of Aristotle.

[20] Crouch in 2019 argued that the habitus on which "the superstructure of chivalry" was built and the preudomme was a part, were recognised by contemporaries as components of courtoisie (from Latin curialitas) which was defined as superior conduct appropriate to the aristocratic hall (court or curia).

Crouch suggested courtliness had existed long before 1100 and preceded the codified medieval noble conduct we call chivalry, which he sees as beginning between 1170 and 1220.

Young Henry lived a lavish lifestyle of unprecedented expense focussed on the great northern French tourneying society of the 1170s and 1180s.

Since Young Henry had no domains to rule, his father was willing to fund the itinerant playboy lifestyle of his son to distract him from meddling in his realms, and also to stake a claim to the cultural high ground over the other European princes of the day.

These rules dictated refraining from attacking a defenseless opponent and prioritizing the capture of fellow nobles for later ransom instead of immediate harm, akin to adhering to a perceived codified law.

The joust remained the primary example of knightly display of martial skill throughout the Renaissance (the last Elizabethan Accession Day tilt was held in 1602).

Related to chivalry was the practice of heraldry and its elaborate rules of displaying coats of arms as it emerged in the High Middle Ages.

[38] The military orders of the crusades which developed in this period came to be seen as the earliest flowering of chivalry,[43] and some of their opponents like Saladin were likewise depicted as chivalrous adversaries.

[47] The works of Roman poets like Ovid and Cicero bore some similarities to the typical depiction of romance in chivalric literature during the Middle Ages.

Later writers also drew from Vegetius, such as Honoré Bonet, who wrote the 14th century L'Arbes des batailles, which discussed the morals and laws of war.

The chivalric tactic employed by the French armoured nobility, namely bravely charging the opposition in the face of a hail of arrows, failed repeatedly.

In contrasting the literary standards of chivalry with the actual warfare of the age, the historian finds the imitation of an ideal past illusory; in an aristocratic culture such as Burgundy and France at the close of the Middle Ages, "to be representative of true culture means to produce by conduct, by customs, by manners, by costume, by deportment, the illusion of a heroic being, full of dignity and honour, of wisdom, and, at all events, of courtesy....

Thus, the post-medieval gentlemanly code of the value of a man's honour, respect for women, and a concern for those less fortunate, is directly derived from earlier ideals of chivalry and historical forces that created it.

[25]: 121–139 According to British historian David Crouch, many early writers on medieval chivalry cannot be trusted as accurate sources, because they sometimes have "polemical purpose which colours their prose".

[54] Charles Mills used chivalry "to demonstrate that the Regency gentleman was the ethical heir of a great moral estate, and to provide an inventory of its treasure".

[citation needed] At the same time, with the change of courtly ideas during the Baroque period, the ideals of chivalry began to be seen as dated, or "medieval".

[citation needed] The behavioural code of military officers down to the Napoleonic era, the American Civil War (especially as idealised in the "Lost Cause" mythology), and to some extent even to World War I, was still strongly modelled on the historical ideals, resulting in a pronounced duelling culture, which in some parts of Europe also held sway over the civilian life of the upper classes.

[citation needed] Social commentators of the Victorian era advocated for a revival of chivalry in order to remedy the ill effects of the Industrial Revolution.

Thomas Carlyle's "Captains of Industry" were to lead a "Chivalry of Labour", a beneficent form of governance that is hierarchical yet fraternal in nature, rather than materialistic.

Kenelm Henry Digby wrote his The Broad-Stone of Honour for this purpose, offering the definition: "Chivalry is only a name for that general spirit or state of mind which disposes men to heroic actions, and keeps them conversant with all that is beautiful and sublime in the intellectual and moral world.

"[citation needed] The pronouncedly masculine virtues of chivalry came under attack on the parts of the masculist and upper-class suffragettes campaigning for gender equality in the early 20th century,[Note 4] and with the decline of the military ideals of duelling culture and of European aristocracies in general following the catastrophe of World War I, the ideals of chivalry became widely seen as outmoded by the mid-20th century.

The term chivalry retains a certain currency in sociology, in reference to the general tendency of men, and of society in general, to lend more attention offering protection from harm to women than to men, or in noting gender gaps in life expectancy, health, etc., also expressed in media bias giving significantly more attention to female than to male victims.

Boy scouts from different social backgrounds in the U.K. participated from 1 to 8 August 1907 in activities around camping, observation, woodcraft, chivalry, lifesaving, and patriotism.

[71] According to William Manchester, General Douglas MacArthur was a chivalric warrior who fought a war with the intention to conquer the enemy, eliminating their ability to strike back, then treated them with the understanding and kindness due their honour and courage.

Konrad von Limpurg as a knight being armed by his lady in the Codex Manesse (early 14th century)
A young woman in a medieval-style dress of cream satin ties a red scarf to the arm of a man in armour and mounted on a horse. The scene is set at the portal of a castle.
God Speed by English artist Edmund Leighton , 1900: depicting an armoured knight departing for war and leaving his beloved
Reconstruction of a Roman cavalryman ( eques )
Knights of Christ by Jan van Eyck
Depiction of chivalric ideals in Romanticism ( Stitching the Standard by Edmund Blair Leighton : the lady prepares for a knight to go to war)