Maximilian Voloshin

He became famous as a poet and a critic of literature and the arts, being published in many contemporary magazines of the early 20th century, including Vesy, Zolotoye runo ('The Golden Fleece'), and Apollon.

"[2] After secondary school, Voloshin entered Moscow University during "a time of the resurgence of the radical student movement in Russia.

In the steppes and deserts of Turkestan, where I led camel caravans, I went through the same experiences in the same days as Blok in the Shakhmatovo swamps, and Bely at the walls of the Novodevichy Convent.Upon his return to Moscow, Voloshin did not seek reinstatement at the university, but continued his travels to such places as Western Europe, Greece, Turkey, and Egypt.

"[2] While during this time in Russia there were "numerous literary groups and trends, known as the Silver Age," Voloshin remained aloof despite "being a close friend of many outstanding cultural figures of the day".

"[2] When "a madman" ripped Repin's famous canvas Ivan the Terrible Killing His Son with a knife, shocking Intellectual Russia, Voloshin was the only person in the country to defend the man, "indicating that it was an esthetic statement appropriate to the painting, which displayed gore and bad taste".

[2] During the years of the First World War, Voloshin, in Switzerland at the time,[2] showed himself to be an author of profoundly insightful poems, engaging in a philosophically- and historically-based exploration of the tragic events of his contemporary Russia.

The ensuing Civil War prompted Voloshin to write long poems linking what was happening in Russia to its distant, mythologized past.

Later, Voloshin would be accused of the worst sin in the Soviet ideologue's book: keeping aloof from the political struggle between Reds and Whites.

"[2] Miraculously, Voloshin survived the Civil War, and in the 1920s set up a free rest home for writers in his house, in accordance with his rejection of private property.

[2] Voloshin's small village of Koktebel in Southern-Eastern Crimea, which inspired so much of his poetry, still retains the memory of its famous poet, who was buried there on a mountain now bearing his name.

Maximilian Voloshin by Boris Kustodiev (1924)
Voloshin's grave, on a hill high above Koktebel in the Crimea