Received Pronunciation (RP) is the British English accent regarded as the standard one, carrying the highest social prestige, since as late as the very early 20th century.
The study of RP is concerned only with matters of pronunciation, while other features of standard British English, such as vocabulary, grammar, and style, are not considered.
Language scholars have long disagreed on RP's exact definition, how geographically neutral it is, how many speakers there are, the nature and classification of its sub-varieties, how appropriate a choice it is as a standard, how the accent has changed over time, and even its name.
[3] The speakers who conventionally use RP have changed the accent to such a degree over the last century that many of its early 20th-century traditions of transcription and analysis have become outdated or are no longer considered evidence-based by linguists.
[4] Still, these traditions continue to be commonly taught and used, for instance in language education, and RP remains a popular umbrella term in ordinary British society and in linguistics.
[10] The early phonetician Alexander John Ellis used both terms interchangeably, but with a much broader definition than Jones's, saying, "There is no such thing as a uniform educated pron.
[12][13] RP has most in common with the dialects of what has been termed the South East Midlands, in particular the Golden Triangle of universities, namely London, Oxford and Cambridge, and the public schools that fed them, such as Eton, Harrow and Rugby.
[16][17][18] The Cambridge-published English Pronouncing Dictionary (aimed at those learning English as a foreign language) uses the phrase "BBC Pronunciation", on the basis that the name "Received Pronunciation" is "archaic" and that BBC News presenters no longer suggest high social class and privilege to their listeners.
It is an accent of the south east of England which operates as a prestige norm there and (to varying degrees) in other parts of the British Isles and beyond.
[29]Faced with the difficulty of defining a single standard of RP, some researchers have tried to distinguish between sub-varieties: Traditionally, Received Pronunciation has been associated with high social class.
It was the "everyday speech in the families of Southern English persons whose men-folk [had] been educated at the great public boarding-schools"[35] and which conveyed no information about that speaker's region of origin before attending the school.
An 1891 teacher's handbook stated, "It is the business of educated people to speak so that no-one may be able to tell in what county their childhood was passed".
[39] Upton notes higher estimates of 5% (Romaine, 2000) and 10% (Wells, 1982) but refers to these as "guesstimates" not based on robust research.
[45] Based on a 1997 survey, Jane Stuart-Smith wrote, "RP has little status in Glasgow, and is regarded with hostility in some quarters".
[48] Since the Second World War, and increasingly since the 1960s, a wider acceptance of regional English varieties has taken hold in education and public life.
[49][50] Nonetheless, surveys from 1969 to 2022 consistently show that RP is perceived as the most prestigious accent of English in the United Kingdom.
The first director-general of the BBC, Lord Reith, encouraged the use of a 'BBC accent' because it was a "style or quality of English which would not be laughed at in any part of the country".
[51] In 1926 the BBC established an Advisory Committee on Spoken English with distinguished experts, including Daniel Jones, to advise on the correct pronunciation and other aspects of broadcast language.
[59] Pronunciation forms an essential component of language learning and teaching; a model accent is necessary for learners to aim at, and to act as a basis for description in textbooks and classroom materials.
[64] As in other varieties of English, voiced plosives (/b/, /d/, /ɡ/, /dʒ/) are partly or even fully devoiced at utterance boundaries or adjacent to voiceless consonants.
[72][73] Examples of short vowels: /ɪ/ in kit, mirror and rabbit, /ʊ/ in foot and cook, /e/ in dress and merry, /ʌ/ in strut and curry, /æ/ in trap and marry, /ɒ/ in lot and orange, /ə/ in ago and sofa.
Examples of long vowels: /iː/ in fleece, /uː/ in goose, /ɛː/ in bear, /ɜː/ in nurse and furry, /ɔː/ in north, force and thought, /ɑː/ in father and start.
[80] In natural speech, the plosives /t/ and /d/ often have no audible release utterance-finally, and voiced consonants are partly or completely devoiced (as in [b̥æd̥]); thus the perceptual distinction between pairs of words such as 'bad' and 'bat', or 'seed' and 'seat' rests mostly on vowel length (though the presence or absence of glottal reinforcement provides an additional cue).
[82] The neutralisation is common throughout many English dialects, though the phonetic realisation of e.g. [i] rather than [ɪ] (a phenomenon called happy-tensing) is not as universal.
There are different possible realisations of these items: in slow, careful speech they may be pronounced as two syllables with three distinct vowel qualities in succession, or as a monosyllabic triphthong.
[91] John Wells wrote in a blog entry on 16 March 2012 that when growing up in the north of England he used /ɑː/ in "bath" and "glass", and considers this the only acceptable phoneme in RP.
[94] In a study of speech in West Yorkshire, K. M. Petyt wrote that "the amount of /ɑː/ usage is too low to correlate meaningfully with the usual factors", having found only two speakers (both having attended boarding schools in the south) who consistently used /ɑː/.
[95] Jack Windsor Lewis has noted that the Oxford Dictionary's position has changed several times on whether to include short /æ/ within its prescribed pronunciation.
[100] However, the Cambridge English Pronouncing Dictionary draws a distinction between /ɒ̃/ (there rendered as /ɔ̃ː/) and the unrounded /ɑ̃ː/ of banc for a total of four nasal vowels.
ˈðen̪n̪ə ˌnɔːθ w̥ɪnd ˈbluː əz̥ ˈhɑːd̥ əs i ˈkʊd, bət̬ ð̥ə ˈmɔː hi ˈblu̟ː ðə ˌmɔ ˈkl̥əʊsl̥i d̥ɨd ð̥ə ˈtɹ̥æv̥lə ˈfəʊld̥ hɪz̥ ˌkl̥əʊkʰ əˈɹaʊnd hɪm, ænd ət ˈl̥ɑːst ð̥ə ˈnɔːθ w̥ɪnd ˌɡ̊eɪv̥ ˈʌp ði̥ əˈtʰemʔt.