The painting was legated to the city of Strasbourg by the canon Alexandre Joseph Straub, and entered the collections in 1893.

In spite of the sumptuosity of their costumes and jewels, and the preciosity of their golden halos, Witz depicts them with the realistic faces of young peasant women and in a stiff attitude that reminds of play acting.

[2][1] Both saints are sitting in a cloister that is thought to have belonged to Basel Cathedral, and Witz opens his tentative perspective towards a street scene, again depicted with noticeable realism.

[3][1] The painting may have belonged to an unfinished altarpiece (probably a triptych) but it could also have been autonomous from the start.

[3][1] While the drapery displays the influence of contemporary Netherlandish painting, the spatial perspective appears to be Witz's own, pioneering experiment.