Cybernetic art

Audio feedback and the use of tape loops, sound synthesis, and computer generated compositions reflected a cybernetic awareness of information, systems, and cycles.

Steina and Woody Vasulka, for example, used "all manner and combination of audio and video signals to generate electronic feedback in their respective of corresponding media.

"[5] With related work by Edward Ihnatowicz, Wen-Ying Tsai and cybernetician Gordon Pask and the animist kinetics of Robert Breer and Jean Tinguely, the 1960s produced a strain of cyborg art that was very much concerned with the shared circuits within and between the living and the technological.

[8] Leading art theorists and historians in this field include Christiane Paul (curator), Frank Popper, Christine Buci-Glucksmann, Dominique Moulon, Robert C. Morgan, Roy Ascott, Margot Lovejoy, Edmond Couchot, Fred Forest and Edward A. Shanken.

Others in the creative arts who are associated with cybernetics include Roland Kayn, Ruairi Glynn, Pauline Oliveros, Tom Scholte, and Stephen Willats.