Irsina, until 1895 called Montepeloso (in local dialect: Montepelòse or Mondepelòse), is a town, comune (municipality) and former Latin bishopric in the province of Matera, in the Southern Italian region of Basilicata.
With a population of about 5,000 people in 2,000 households, Irsina sits on the border between the Southern Italian regions of Puglia (Apulia) and Basilicata, within the Council of Materia.
The new town is joined to the old by a modern main street which has now become the commercial focus, with small bars, shops and cafes, surrounded by much housing.
Entering through the town gates, there is a medieval part of Irsina with a labyrinth of cobblestone roads winding and opening up into little squares with scenic views over the vast countryside.
The numerous archaeological finds, vases, Greek and Roman coins, weapons, furnishings, and various Italo-Greek relics, that have been found inside and outside Irsina, testify to its ancient grandeur during the Greek-Roman period.
According to the chronicle of the Beloved of Montecassino, Tristan, knight of the lineage Altavilla in the territory of the Vulture, is the first Norman Count of Montepeloso, one of the twelve baronies of which composes the County of Puglia.
In 1123, Pope Callisto II elected Montepeloso as a bishopric, perhaps to counter the presence of a strong Orthodox-Byzantine minority that still existed in the country.
A year later, Ruggero II punished the town for taking the side of the rebel Tancredi and it was razed to the ground and the inhabitants murdered.
In February of that same year the tree of freedom was planted in the square of San Salvatore, but soon, Cardinal Ruffo's Sanfedist troops extinguished any hope of change.
[4] A final date marked the history of the town, February 6, 1895, with a resolution of the City Council, the ancient name of Montepeloso was changed to Irsina.
There is a small community of residents from across the world - USA, Britain, Ireland, South Africa and Belgium–who live there either full-time or enjoy holiday homes.
For two nights locals stay awake, singing nursery rhymes, in dialect, that recount of the life and miracles of Saint Roch.
On the altar, images and small statues of the Saint are positioned, whilst the rooms are decorated with plants, typical handicrafts and perfumed with basil herbs.
During the vigil for Saint Roch on the night of 15 August, in between the dancing and singing, i pettl, or savoury doughnuts are fried in the garages and cellars alongside the revelers.
It is an annual event from 14–17 September with the most important day being the 16th, when a procession of representatives from the civil and military authorities, together with the Festival Committee, enter the Cathedral and deliver the keys of the town to the bishop.