Post-Internet

[3] It emerged from mid-2000s discussions about Internet art by Gene McHugh (author of a blog titled "Post-Internet"), and Artie Vierkant (artist, and creator of Image Object sculpture series).

[5] Eva Folks of AQNB wrote that it "references one so deeply embedded in and propelled by the internet that the notion of a world or culture without or outside it becomes increasingly unimaginable, impossible.

"[8] Fast Company's Carey Dunne summarizes they are "artists who are inspired by the visual cacophony of the web" and notes that "mediums from Second Life portraits to digital paintings on silk to 3-D-printed sculpture" are used.

[10][11] Wallace considers the Post-Internet term to stand for "a new aesthetic era," moving "beyond making work dependent on the novelty of the Web to using its tools to tackle other subjects".

[13] Amarco referred to Yung Lean as "by and large a product of the internet and a leading example of a generation of youths who garner fame through social media.

An image of the Chernobyl computer virus created by Stepan Ryabchenko in 2011.
Post-Internet art is a contemporary art movement influenced by Internet culture. The installation Maid in Heaven / En Plein Air in Hell (My Beautiful Dark and Twisted Cheeto Problem) by Parker Ito ( White Cube , 2014) serves as an example.
Vaporwave is among the Internet-centric microgenres and subcultures spearheaded by the post-Internet movement. [ 1 ]