Science and technology of the Song dynasty

Shen Kuo (1031–1095), author of the Dream Pool Essays, is a prime example, an inventor and pioneering figure who introduced many new advances in Chinese astronomy and mathematics, establishing the concept of true north in the first known experiments with the magnetic compass.

Song era antiquarians such as Ouyang Xiu (1007–1072) and Shen Kuo dabbled in the nascent field of archaeology and epigraphy, inspecting ancient bronzewares and inscriptions to understand the past.

[7][8] One of Shen's greatest achievements, aided by Wei Pu, was correcting the lunar error by diligently recording and plotting the moon's orbital path three times a night over a period of five years.

[9] Su Song, one of Shen Kuo's political rivals at court, wrote a famous pharmaceutical treatise in 1070 known as the Bencao Tujing, which included related subjects on botany, zoology, metallurgy, and mineralogy.

[18] The cases of these two men display the eagerness of the Song in drafting highly skilled officials who were knowledgeable in the various sciences which could ultimately benefit the administration, the military, the economy, and the people.

Intellectual men of letters like the versatile Shen Kuo dabbled in subjects as diverse as mathematics, geography, geology, economics, engineering, medicine, art criticism, archaeology, military strategy, and diplomacy, among others.

[20][21] On a court mission to inspect a frontier region, Shen Kuo once made a raised-relief map of wood and glue-soaked sawdust to show the mountains, roads, rivers, and passes to other officials.

[20] Shen Kuo is also noted for improving the designs of the inflow clepsydra clock for a more efficient higher-order interpolation, the armillary sphere, the gnomon, and the astronomical sighting tube; increasing its width for better observation of the pole star and other celestial bodies.

[24] However, the concluding paragraph provides description at the end of how the device ultimately functions: When the middle horizontal wheel has made 1 revolution, the carriage will have gone 1 li and the wooden figure in the lower story will strike the drum.

[32] A later Muslim traveler Shah Rukh (son of the Turco-Mongol warlord Timur) came to Ming dynasty China in 1420 during the reign of the Yongle Emperor, and described a revolving repository in Ganzhou of Gansu province that he called a 'kiosque': In another temple there is an octagonal kiosque, having from the top to the bottom fifteen stories.

The flamethrower found its origins in Byzantine-era Greece, employing Greek fire (a chemically complex, highly flammable petrol fluid) in a device with a siphon hose by the 7th century.

[50] The Chinese applied the use of double-piston bellows to pump petrol out of a single cylinder (with an upstroke and downstroke), lit at the end by a slow-burning gunpowder match to fire a continuous stream of flame.

[53] These 'fire-lances' were widespread in use by the early 12th century, featuring hollowed bamboo poles as tubes to fire sand particles (to blind and choke), lead pellets, bits of sharp metal and pottery shards, and finally large gunpowder-propelled arrows and rocket weaponry.

Written later by Jiao Yu in his Huolongjing (mid 14th century), this manuscript recorded an earlier Song-era cast-iron cannon known as the 'flying-cloud thunderclap eruptor' (fei yun pi-li pao).

[68] In his day, the Chinese became concerned with a barge traffic problem at the Shanyang Yundao section of the Grand Canal, as ships often became wrecked while passing the double slipways and were robbed of the tax grain by local bandits.

Their cargoes of imperial tax-grain were heavy, and as they were passing over they often came to grief and were damaged or wrecked, with loss of the grain and peculation by a cabal of the workers in league with local bandits hidden nearby.

[70] Shen Kuo wrote that the establishment of pound lock gates at Zhenzhou (presumably Kuozhou along the Yangtze) during the Tian Sheng reign period (1023–1031) freed up the use of five hundred working laborers at the canal each year, amounting to the saving of up to 1,250,000 strings of cash annually.

This is best represented in the Dongpo Zhilin of the governmental official and famous poet Su Shi (1037–1101), who wrote about two decades before Shen Kuo in 1060: Several years ago the government built sluice gates for the silt fertilization method, though many people disagreed with the plan.

In his Dream Pool Essays (1088), Shen Kuo wrote: At the beginning of the dynasty (c. 965) the two Zhe provinces (now Zhejiang and southern Jiangsu) presented (to the throne) two dragon ships each more than (60.00 m/200 ft) in length.

[78] In addition, Zhu Yu wrote of watertight bulkhead compartments in the hulls of ships to prevent sinking if damaged, the for-and-aft lug, taut mat sails, and the practice of beating-to-windward.

The Commander of such a vessel is a great Emir; when he lands, the archers and the Ethiops (i.e. black slaves, yet in China these men-at-arms would have most likely been Malays) march before him bearing javelins and swords, with drums beating and trumpets blowing.

[88] In 1135 the famous general Yue Fei (1103–1142) ambushed a force of rebels under Yang Yao, entangling their paddle wheel craft by filling a lake with floating weeds and rotting logs, thus allowing them to board their ships and gain a strategic victory.

This was the "berganesque" method that produced inferior, inhomogeneous steel, while the other was a precursor to the modern Bessemer process that utilized partial decarbonization via repeated forging under a cold blast.

[95][98] However, by the end of the 11th century the Chinese discovered that using bituminous coke could replace the role of charcoal, hence many acres of forested land and prime timber in northern China were spared by the steel and iron industry with this switch of resources to coal.

For example, the poet and statesman Su Shi wrote a memorial to the throne in 1078 that specified 36 ironwork smelters, each employing a work force of several hundred people, in the Liguo Industrial Prefecture (under his governance while he administered Xuzhou).

[104] In 31, the Han dynasty governmental prefect and engineer Du Shi (d. 38) employed the use of horizontal waterwheels and a complex mechanical gear system to operate the large bellows that heated the blast furnace in smelting cast iron.

European travelers to China in the late 16th century were surprised to find large single-wheel passenger and cargo wheelbarrows not only pulled by mule or horse, but also mounted with ship-like masts and sails to help push them along by the wind.

[117] During the early half of the Song dynasty (960–1279), the study of archaeology developed out of the antiquarian interests of the educated gentry and their desire to revive the use of ancient vessels in state rituals and ceremonies.

If the latter determination was made a prefectural official would investigate, draw up an inquest that included sketches of potential injuries on the deceased body, and have it signed by witnesses for presentation in a court of law.

[125] Details of these efforts are preserved in written accounts such as the Collected Cases of Injustice Rectified by the judge and physician Song Ci (1186–1249), whose work documents various types of death (strangulation, drowning, poison, blows, etc.)

A reddish purple rectangular piece of paper, about two times as long as it is wide, with a design divided into three sections. The top section depicts ten circles in two rows of five. The middle section is several lines of text, vertically ruled, and the bottom section depicts several men standing in front of a gate.
Jiaozi , the world's first paper-printed currency , a Song innovation.
An excerpt from the painting "Along the River During Qingming Festival" depicting a simple building with a triangular roof. It appears that the teahouse is at the top floor of a multi-floor building, however the rest of the building is not shown.
The original diagram of the book by Su Song in 1092, showing the inner workings of his clock tower , with the clepsydra tank , a waterwheel with scoops and the escapement , a chain drive , the armillary sphere crowning the top, and the rotating wheel with clock jacks that sounded the hours with bells, gongs, and drums. [ 2 ]
A rectangular ink on paper diagram with several hundred dots, several of which are organized into constellations, such as a drawn bow (bottom center) and a tree (top left).
One of five star maps published in Su Song 's horological and astronomical book of 1092 CE, featuring Shen Kuo's corrected position of the pole star using the cylindrical equirectangular projection [ 19 ]
Several wooden buildings with grey tile roofs, connected by an arched bridge. A forest can be seen behind the buildings.
The Longxing Monastery , home to the oldest extant Chinese mechanical revolving-repository book case.
A diagram of the front three sides of what appears to be a six sided wooden structure. All of its surfaces are intricately carved, with small doors in each side, cloud patterns in the bottom, and a wall carving at the top.
Revolving book case in Yingzao Fashi
An older woman sits in front of a machine consisting of a vertically aligned wheel composed of about two dozen flat wooden spokes, with a string for an outside rim. The wheel is held up by a simple wooden pole stand.
Detail of The Spinning Wheel , by Wang Juzheng, Northern Song era (960–1127).
Two pages of a book printed on pieces of paper. On the left, half of the page is occupied by a line drawing of a plant. On the other half, as well as the whole of the right page, is vertically aligned text.
The Bencao on traditional Chinese medicine ; printed with woodblock in 1249, Song dynasty
A painting of a Buddha, with several smaller figures to the right. One of the figures in the center right is holding a green-brown sphere that is on fire, believed to be a representation of a grenade. Another figure, this one in the upper right, holds a fire lance, a silver cylinder with fire coming out of one end and either a rope or a wooden stick coming out of the other.
Earliest known representation of a gun (a fire lance ) and a grenade (upper right), from the cave murals at Dunhuang , c. 950 CE [ 44 ] [ 45 ]
An ink on paper diagram of a flamethrower. It consists of a tube with multiple chambers mounted on top of a wooden box with four legs. How exactly the flamethrower would work is not apparent from the diagram alone.
A Chinese flamethrower from the Wujing Zongyao manuscript of 1044 CE, Song dynasty
An ink on paper diagram of a trebuchet. A long arm with a spherical cap rests on top of a large square platform. The square platform is supported by four plain cut square beams, which connect to an open undercarriage. Rope hangs between the end of the pole that does not have the cap to the inside of the undercarriage, as far away from the start of the rope as possible. The assembly moves on four wheels attached to the sides of the undercarriage.
An illustration of a trebuchet catapult, as described in the Wujing Zongyao of 1044.
A large, square pool of water sits trapped between two metal doors. The door at the rear of the image is at a higher elevation than the door at the front of the image.
A canal lock system in modern-day France which uses the pound lock system developed during the Song dynasty.
A diagram of the pound lock system, from a bird's eye perspective and from a side perspective. The bird's eye view illustrates that water enters the enclosed area through two culverts on either side of the upper lock gate. The side view diagram illustrates how the elevation is higher before reaching the top gate than it is afterwards.
Diagram of a canal pound lock , invented in the 10th century and written of by Shen Kuo .
A painting of a man fishing in a long, thin, one person boat. Attached to his fishing rod is a black cylinder, the fishing reel.
"Angler on a Wintry Lake", painted in 1195 by Ma Yuan , featuring the oldest known depiction of a fishing reel [ 76 ]
A close up view of several small trading vessels clustered together near a dock. Parts of several boats can be seen. One has a curved wooden hull and a curved wooden roof, with several windows built into the roof. Another is flat bottomed, and has a thatched roof and several cylindrical, cloth covered objects tied to the edges of the midsection of the roof. A third, partially obscured boat has an arcing, thatched roof with netting attached to the ends. Small pieces of two other boats can be seen in the corners of the excerpt of the painting.
Detail of river vessels docking at Kaifeng , from Along the River During Qingming Festival , by Zhang Zeduan (1085–1145).
A close up view of a large trading barge crewed by multiple people. The barge has wooden walls surrounding it on all sides, and a thin line of tiled roof capping the walls, but not covering the interior of the ship. There are several windows built into the wall of the vessel.
Another close-up view of the detail of Along the River .
A faded drawing of two ships, each with a single mast, several above deck compartments, windows with awnings, and crew members depicted. The ships are elegant rather than sparse and utilitarian.
A Song painting on silk of two Chinese cargo ships accompanied by a smaller boat; notice the large stern-mounted rudder on the ship shown in the foreground
A Song era junk ship, 13th century; Chinese ships of the Song period featured hulls with watertight compartments .
An ink on paper illustration of a small boat with a flat front, flat sides and a large, upward arched back. Attached to the side are two water wheels, wooden wheels with spokes but no outside rim. The boat has a low, flat roof and paneled walls.
Paddle-wheel ship, 1726
A two-page diagram illustrating a blast furnace. On the right page, a water wheel turned by a river moves a bellows to pump air into the box shaped blast furnace in the left page. Below the furnace, also in the left page, two men are handling the heated ore. One is holding a long cylindrical container while the other pours molten metal into the container with a large, elongated spoon.
An illustration of blast furnace bellows operated by waterwheels, from the Nong Shu , by Wang Zhen , 1313, during the Yuan dynasty .